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The smaller book features his epic autobiographical poem ‘Poet of the Ashes’, in a revised translation by Stephen Sartarelli; the larger book comprises original tributes by vital filmmakers from across the contemporary cinema landscape.Twenty filmmakers shared personal reflections in the form of essays, poems, photographs, drawings and more: Catherine Breillat, Luise Donschen \u0026amp; Helena Wittmann, Jia Zhangke, Radu Jude, Payal Kapadia, Alexandre Koberidze, Dane Komljen, Mike Leigh, Mariano Llinás, Roberto Minervini, Valérie Massadian, Luc Moullet, Ben Rivers, Angela Schanelec, Ulrich Seidl, Basma al-Sharif, Deborah Stratman, Anocha Suwichakornpong and Gustavo Vinagre.\u003c\/span\u003e\u003c\/p\u003e","brand":"Golden Age","offers":[{"title":"Default Title","offer_id":44266537025733,"sku":"","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0272\/0419\/0302\/files\/Writing_on_Burning_Paper.jpg?v=1761542413"},{"product_id":"goodbye-dragon-inn","title":"Goodbye, Dragon Inn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIs cinema really dead? 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Edited from Day’s original negatives, this volume, which launches alongside\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Virgin Suicides'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etwenty-fifth anniversary, gives mesmerising and unprecedented insight into Coppola’s enigmatic staging of the Lisbon sisters and their suburban trappings.  \u003c\/p\u003e\n\u003cp\u003eIn Day’s photographs, the lush mystique of Coppola’s set runs through images of the young actors at work and between takes, their candid posturing and pensive expressions reflecting the intimate and collaborative environment of the shoot. Fragments of the set and costume design appear suggestively – crucifixes, pink lace bras, homecoming dresses, beauty products, and toffee apples – all playing their part in Coppola’s depiction of the yearning and repression of adolescence. 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In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe.\u003c\/p\u003e\n\u003cp\u003eDespite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. 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The women in her stories paralleled reality—the veil was lifted, the glossy sheen removed. Her protagonists share an unwavering sense of humor about life’s mishaps, and they never take themselves too seriously—like Julie trying to master the art of cooking lobsters in \u003ci\u003eJulie \u0026amp; Julia\u003c\/i\u003e, Sally’s theatrical fake orgasm in Katz’s deli in \u003ci\u003eWhen Harry Met Sally\u003c\/i\u003e, or Rachel perfecting a key kime pie only to throw it in her cheating husband’s face in \u003ci\u003eHeartburn\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThrough her keenly self-aware humor and semi-autobiographical stories, Ephron left behind a groundbreaking legacy as a beloved journalist, essayist, screenwriter, author, producer, director, and feminist who delivered stories of resilience embedded in sharp wit and upper-crust landscapes. 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Through an in-depth analysis of the film's rich mise en scène, cinematography, sound and its embeddedness in visual art and screen culture, Henry not only affirms the film's significance as Lynch's first feature, but also advances a wider case for appreciating its status as a film classic.\u003c\/p\u003e","brand":"Golden Age","offers":[{"title":"Default Title","offer_id":46179516350661,"sku":null,"price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0272\/0419\/0302\/files\/eraser.jpg?v=1778044720"},{"product_id":"eyes-wide-open","title":"Eyes Wide Open","description":"\u003cp\u003eNo More Poetry’s 29th publication: \u003ci\u003eEYES WIDE OPEN\u003c\/i\u003e; is the debut co-authored publication by film makers Jen Atherton \u0026amp; André Shannon (collectively Garden Reflexxx). \u003cbr\u003e\u003cbr\u003e\u003ci\u003e a book about making films without pretending the “industry” is the only room available.\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eHave you got $4.20 and headlice? 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